Let’s begin by addressing exactly when violet season is. The work begins with the plowing of
fields and moving of cuttings into raised beds in June, but violet “season”
officially kicks off with the New York Horse Show in November at Madison Square
Garden. (Before you rush out to buy tickets, let me clarify: violet season
kicked off at MSG in 1898, but the
last violet farm in the Hudson Valley closed in the 1980s and the horse show
has moved to Kentucky).
The violet farm depicted by Czepiel is a family business,
meaning that the Fletchers are as ensnarled in all the complications that come
with both families and businesses as
are the roots in their beds. And adding further stress to the situation is the
arduousness of the work. Joe Jacobs, the son of the Dutch Reformed Church’s
dominie, home from Princeton while he decides whether or not to go on to law
school, hires on at the Fletchers’ farm and is quick to note: I never realized how hard you had to work to
grow these little flowers. I don’t imagine any boy who gives them to his
sweetheart has any idea.
Joe’s intended sweetheart is, of course, Alice, the daughter
of the youngest Fletcher brother (why else would an educated young man endure
such grueling labor?). And when Joe stays on the farm after Alice is sent away,
he’s not so different from the other Fletchers who’re sticking out unhappy
situations because of the time, circumstances, and, frankly, lack of other
options.
There are bright moments, certainly, like the holiday party
where they serve the confection I’d secretly hoped to find since I first saw
the title – a cake topped with sugared violets! Now, I’m sure the Fletchers
didn’t feel quite the same excitement over seeing yet more of the little purple
flowers that they were surrounded by and essentially dependent on, just as I
imagine a cherry farmer would prefer to see anything but that tell-tale lattice
pie crust on his table each night!
I’d like to think, though, that those crystallized petals
brought at least fleeting smiles to the faces of the Fletcher women, not only
because there were so few bright spots in their tough lives, but also since the
violets –hardy blossoms which flourished in cold climes, not unlike the women
themselves – were, even if only for one night, being treated with care and held
in a place of honor.
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